contact@geoaghinea.com
Their sound is shaped by a deep connection to their upbringing - rooted in microtonal and heritage-based sounds - while pulsing with the energy of brutalist underground queer scenes in post-communist Eastern Europe. Growing up listening to their grandmother’s chants, Geo developed a hauntingly distinct vocal style that is present in their productions.
Geo also brings a unique perspective to sound itself. As a musician with severe hearing loss, their reliance on hearing aids isn’t a limitation but a tool - reshaping their understanding of frequency, space, and texture. This heightened awareness has influenced both their production choices and vocal delivery, adding a tactile, almost physical quality to their sound.
Geo’s genre-defying work is an extension of their identity - fluid, boundary-pushing, and transformative. This is evident in their debut left-field EP, I’ll Hand You A Hand (2023), and with Gynodioecious (2025) coming soon, Geo is set to push sonic experimentation even further.
- Oram Awards (2023) for innovation in sound, music & related technologies
- Electronic Music Award (2024) Help Musicians x DJ Mag
- Sound of the Year Awards (2023), shortlisted under ‘Composed with Sound’ x Accidental Records
Press
- featured as one of Mastercard's music trailblazers ahead of the BRIT Awards x Future Sound of Britain campaign
Airplay
- NTS Radio via Tarzsa Williams’ mix
- Crack Magazine via Venus Ex Machina’s mix
- Soho Radio (performance & interview with Max Reinhardt)
Residencies
- Summer Studios at Glasshouse International Centre for Music (2024)
- Roundhouse selected resident artist (2024/25)
Working in the intersection of art and music, I’ve performed at
- LSO St Lukes
- Glasshouse International Centre for Music
- Niche - The Baths
- SXSW London (soon - 6th June 2025)
- Roundhouse in the main space (2025) supporting Tom Odell
and collaboratively in art galleries such as The Crypt Gallery, Brooke Bennington, Final Hot Desert...